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Devonport Eastern Gateway Marker

Devonport Eastern Gateway Marker

by Matt Calvert | 24,07,26

Devonport Eastern Gateway Marker Matt Calvert Eastern Gateway Marker, commissioned by the Department of State Growth and Devonport City Council 2024-25  ...
Devonport Western Entrance Markers

Devonport Western Entrance Markers

by Matt Calvert | 24,07,26

Devonport Western Entrance Markers Matt Calvert A commission for Devonport City Council and the Tasmanian Department of State Growth 2024-25...
Dorothy

Dorothy

by Matt Calvert | 26,11,25

Project Template Matt Calvert Toughened Glass...
Memorial

Memorial

by Matt Calvert | 15,05,24

Memorial Matt Calvert Toughened Glass...
Beacon

Beacon

by Matt Calvert | 20,03,24

Beacon Matt Calvert Corten steel, toughened Glass...
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  • Extinction Story – Western Wilds Commission
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© 2024 in perpetuity Matt Calvert

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Louise Fisher at Work

The Studio

The Artist's Cottage

The Cottage Kitchen

Artist in Residence Opportunities

International residencies have had a major impact on my career development, starting with a six-month residency at the McCulloch Studio at the Cite Internationale des Art, Paris in 1995, followed by periods at Rimbun Dahan, Malaysia in both 1998 and 1999 courtesy of Asialink, and in Sapporo, Japan in 2000 with the assistance of the Contemporary Art Institute of Sapporo. During this period I developed my interest in using recycled materials.

I was a member of the Asialink Arts Advisory Committee between 2010 and 2013, using my personal experience to help select artists for residencies throughout Asia.

In 2015 my studio was registered with the international artist residency program, Resartis, to provide an affordable, peaceful living and working space for up to three artists at a time, for a period of two weeks or more.

More information on the residency, The Pickers’ Hut @ Glaziers Bay, is available here:https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

An information package including more photos can be emailed on request.

 

Application for Artist in Residence

If you would like to apply, simply email a brief overview of your career history, images of your work and how you think the residency would contribute to your professional and personal development to me at mattcalvert@iinet.net.au  There is no requirement to make any work during your stay.

Too Strange

• 15-05-24 • Reviews / Articles
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Beacon lands in Seaford

• 18-10-22 • Awards/Prizes, Public Art
READ MORE...

Extinction Story – Western Wilds Commission

• 18-10-22 • Private Commission, Public Art
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Pandemic Puppy – Montalto Sculpture Prize

• 14-10-22 • Awards/Prizes, Public Art
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Glenorchy City Council Commission – The Family

• 14-10-20 • Public Art
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‘Augmented Reality’ plinth installed at Kangaroo Bay

• 14-03-20 • Announcement, Public Art
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New Homes for Two Major Works

• 02-03-20 • Announcement
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Aeroplane Boy Touches Down

• 06-06-18 • Announcement, Public Art
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Kangooroo

• 22-11-17 • Announcement, Public Art
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Update on the Western BACE Commission – Melton City Council

• 09-12-16 • Announcement, Public Art
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Brooks High School Sculpture Completed 2015

• 09-12-16 • Announcement, Private Commission
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South East Asia Plus Triennale, Jakarta

• 08-10-16 • Announcement
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Kangaroo Bay Work Underway

• 08-10-16 • Announcement
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Work leased by Frankston City Council

• 08-10-16 • Public Art
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Visiting Artists Arrive

• 07-01-16 • Announcement
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Bay of Fires Art Prize

• 19-06-15 • Announcement, Awards/Prizes
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New Residency Program Launched

• 19-06-15 • Announcement
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Awarded Montalto Sculpture Prize

• 09-03-15 • Announcement, Awards/Prizes
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Stack – Relocated And Cleaned

• 01-02-15 • Announcement, Awards/Prizes, Private Commission
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Rosie Moves to Mornington

• 31-01-15 • Announcement
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Montalto 2015 Sculpture Prize Finalists

• 21-11-14 • Announcement, Awards/Prizes
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McClelland Sculpture Survey and Awards 2014

• 21-11-14 • Announcement, Awards/Prizes
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Installation for Western BACE completed

• 31-10-14 • Public Art
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McClelland Sculpture Survey and Award 2014

• 06-08-14 • Announcement, Awards/Prizes
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New Commission Update

• 28-04-14 • Announcement, Private Commission
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Recent Commission for Lyn and Sir Gus Nossal

• 27-04-14 • Private Commission
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Work in Progress for a Council based in Victoria

• 27-04-14 • Public Art
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Recent Acquisition- Boy Pointing

• 20-01-14 • Private Commission
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Sculpture by the Sea 2013

• 05-11-13 • Awards/Prizes
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Edward-2013

• 31-10-13 • Announcement, Private Commission
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Art for Public Building

• 14-10-13 • Announcement, Public Art
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Seated Boy Commission Mornington Peninsula

• 14-10-13 • Announcement, Private Commission
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Sunshine Coast Art Prize

• 29-08-13 • Awards/Prizes
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McClelland 2014 Sculpture Survey and Award

• 13-02-13 • Announcement, Awards/Prizes
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Neon Bunny at the RVL Cygnet

• 14-08-12 • Private Commission
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With My little eye Sullivan and Strumpf Fine Art 2007

• 15-10-07 • Reviews / Articles
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J Arts Crew – I Spy

• 22-09-07 • Reviews / Articles
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Sullivan and Strumpf Fine Art Sydney

• 15-07-06 • Reviews / Articles
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Reflections: Picking up the Pieces

• 15-10-05 • Announcement, Reviews / Articles
READ MORE...

BODY OF WORK

  • All
Devonport Eastern Gateway Marker

Devonport Eastern Gateway Marker

Devonport Western Entrance Markers

Devonport Western Entrance Markers

Dorothy

Dorothy

Memorial

Memorial

Beacon

Beacon

Seated Boy

Seated Boy

Kangaroo

Kangaroo

Aeroplane Boy

Aeroplane Boy

Dieback – reconfigured

Dieback – reconfigured

Red cone

Red cone

Shy Girl

Shy Girl

The Crossing

The Crossing

Boy Looking Up (Eastlink)

Boy Looking Up (Eastlink)

Girl With Pigtails

Girl With Pigtails

Stack

Stack

Tree Flower

Tree Flower

A Strange Man

A Strange Man

Edward

Edward

Run, Lucy, Run

Run, Lucy, Run

Seated Child II

Seated Child II

Garnish (Home Hill Winery)

Garnish (Home Hill Winery)

Cones on Roof

Cones on Roof

Seated Boy (in glass & corten steel)

Seated Boy (in glass & corten steel)

White Cone

White Cone

Seated Boy

Seated Boy

No Lines

No Lines

Kneeling Girl

Kneeling Girl

Little Man

Little Man

Dog

Dog

Three Friends

Three Friends

Shadow Troll

Shadow Troll

Nothing Up My Sleeve

Nothing Up My Sleeve

Weeping Girl

Weeping Girl

Clear My Way

Clear My Way

Cat, Best Friend, Sheep

Cat, Best Friend, Sheep

Digby

Digby

Kneeling Boy Clutching Rabbit

Kneeling Boy Clutching Rabbit

Black Surround

Black Surround

A Shared Vision

A Shared Vision

Black Dog

Black Dog

Plinth

Plinth

Memorial

Memorial

The Navigator

The Navigator

Ice Pig

Ice Pig

Pointing Girl

Pointing Girl

The Rabbit

The Rabbit

Boy Pointing Down (large-scale)

Boy Pointing Down (large-scale)

A Short Walk

A Short Walk

Night Imp

Night Imp

House & Car

House & Car

Peter Stared into the Vast Unknown

Peter Stared into the Vast Unknown

Eye Spy (The Girls)

Eye Spy (The Girls)

Too Strange

Too Strange

A Splendid Vision

A Splendid Vision

The Eye Spy Collection

The Eye Spy Collection

Small Boy and the Sea

Small Boy and the Sea

Boy

Boy

Hooded

Hooded

Bandicoot

Bandicoot

Merge

Merge

Aerial Plan

Aerial Plan

And the Kids

And the Kids

Memorial (Panel)

Memorial (Panel)

Responsive

Responsive

Recollection

Recollection

Pure Menace

Pure Menace

Manekiniko

Manekiniko

Memorial

Memorial

About Matt Calvert

Matt Calvert is a widely collected Australian-based sculptor who works primarily with toughened glass, aluminium and corten steel.

“It is not unusual to find Tasmanian sculptor Matt Calvert scouring highways for splintered shards of shiny plastic. The reflective remains of broken taillights, headlights and indicators are gathered like prized jewels alongside the twisted relics of steel fenders and car door frames. As he collects each dilapidated item, Calvert wonders about the object’s history. Were there fatalities? How were families affected? The memory of his own father, tragically taken in a car accident when the artist was a child, comes to mind during the ritual of collecting and resonates throughout his ensuing artistic practice. As a result, Calvert’s meticulously assembled sculptures often incorporate striking symbols of loss, caution and memory.” – Bryony Rhodes

 Matt graduated from the University of Tasmania with a Bachelor of Fine Art (first class honours) in 1993. He was awarded a Samstag Scholarship to Goldsmiths College, University of London, where he completed a Master of Art degree in 1994.

After residencies in Paris, Malaysia and Japan earlier in his career, Matt’s practice now focuses on small and large-scale public and private commissions that feature recycled, toughened glass, sometimes in conjunction with corten steel and aluminium.

Matt sources his glass from waste material, smashes it up in his studio in aptly-named Glaziers Bay in southern Tasmania, and reconfigures it using a cold fusion, flat mould lamination technique into quirky forms of children, an iconic range of farmyard and exotic animals and more recently, tree-like forms. When creating his work he often references illustrations from old picture books, ‘cookie cutter’ figures and likenesses of his son, Eddy.

A recurring theme in Matt’s work revolves around roadside tributes and memorials, referring to the loss of his father in a car accident when he (Matt) was only seven years old and featuring most recently in the work selected for the 2014 McClelland Sculpture Survey, Dieback.

A regular finalist in major Australian sculpture awards over the past 15 years, he won the Montalto Sculpture Prize in 2015 for the work Pointing Girl. His work is held in public and private collections in Australia, Japan, Malaysia and the United States.

Matt was a member of the Asialink Arts Advisory Committee between 2010 and 2013 and in 2015 became a member of the Res Artis International Residency Network with his studio space, The Pickers’ Hut @ Glaziers Bay.

Check Matt’s CV for more detail.

Public Art Management

I have successfully managed more than 10 public art projects over a 15-year period and take pride in the fact that every project has been delivered on time and within budget. I have experience in consulting and working with various stakeholders in the public art arena, including arts administrators, local councils, collecting institutions, school principals and school communities (at times using students as models), architects and landscape designers.

I work closely and comfortably with engineers, welding firms, electrical/lighting personnel and installation teams to ensure my work is fabricated and presented to the highest standard.

The materials I use – cold-fused recycled toughened glass, and either aluminium or corten steel – work well in a variety of light and weather and age well with minimal maintenance. As the glass is typically grouted and polished, it is safe to touch and therefore suitable for public spaces. I always consider the risks of both  entrapment and vandalism when designing works and often their sheer scale (up to 4 metres in height) minimises these risks.

I have a current White Card and all the necessary insurances in place,  alongside experience in producing maintenance manuals.

My clients include the Tasmanian and Australian Capital Territory Governments, Melton City Council, Bendigo Regional Gallery, Eastlink, Knox City Council and Wyndham City Council in Victoria, and Clarence City Council and Glenorchy City Council in Tasmania. A full list of public art commissions appear in my CV. Referees can be provided on request.

Kangaroo Bay- Clarence City council Public Art Work

Boy,Werribee-Victoria

Garnish, Western-BACE-Melton-Victoria

Peter Stared Into the Vast Unknown, Bendigo Regional-Gallery

Private Sales & Commissions

My work, both large-scale and small-scale sculptures as well as two-dimensional wall panels, appears in many private homes and gardens around Australia. It is sometimes purchased after it has been seen on show in an art prize, or it can be new work made in close consultation with the client.

I can assist with installing or hanging your work, advise you how to care for it and provide a maintenance service as and when required.

Check the ‘available work’ section on the Portfolio page to see which works are available for purchase, or feel free to contact me to discuss a new commission.

I am always happy to welcome visitors to my studio, a 45-minute drive south of Hobart, by arrangement.

CONTACT MATT